In Dictionary of Forgotten Objects, Boror Bor turns her attention to everyday objects connected to domestic and communal life. Through collecting, preserving, and recontextualizing these materials, she creates a kind of personal and collective archive. The series reflects on how ordinary objects can carry memory, affection, and knowledge across generations, especially within communities whose histories have often been excluded from official narratives. Rather than presenting these objects as remnants of the past, the works insist on their continued presence and relevance.

The sculptures in Buried Rituals: Combing the Roots focus more directly on the violence of extractivism and urban expansion in her territory. Combining threads, roots, plantain leaves, corn husks, and concrete, Boror Bor creates works that hold tension between organic materials and the hardness of industrial development. Threads emerge from cement blocks, disappear into cracks, or push outward as if resisting containment. The works evoke rituals, gestures, and forms of connection to the land that are often buried or displaced by modernization, while also sugges-ting the persistence of memory beneath these structures.